I've been hearing about Andy Serkis's animated version of George Orwell's satirical fable Animal Farm for some time now. Apparently it's been in development for a long time, but the time is now fulfilled, and the release is at hand. I barely remember the two previous versions (from 1954 and 1999), except that they were pretty bad, toning down the book's anti-capitalist assumption. I say "assumption" rather than "message," because the story takes for granted that capitalism (represented by the human farmers) is evil. The remarkable thing about its mainstream reception is that its anti-communist fans completely missed that assumption.
So I didn't expect much from this new adaptation. The occasional reports I saw didn't say much about its fidelity to the original. But this weekend the Algorithm recommended a story about it from Deseret News, a Latter-Day-Saints newspaper. It was even more clueless about Animal Farm than the book's Cold War boosters:
In the final scene of George Orwell’s 1945 satirical novella “Animal Farm,” animal workers watch through a window as their ruling pigs and the human farmers drunkenly play cards, and they can no longer tell them apart. The moment is grim and impactful.
The image exposes the cracks beneath Marxism’s utopian promise.
... The upcoming animated adaptation of “Animal Farm,” directed by “Lord of the Rings” actor Andy Serkis, transforms Orwell’s sharp critique of communism into a lighthearted, family-friendly story — and casts capitalism as the villain.
Wait, what? Capitalism is the villain in the original tale, but I can't remember encountering such blatant denial about that before. It's not the only villain, of course: Napoleon and the other pigs, who happily embrace greed and ultimately become indistinguishable from their human neighbors, are also villains, but is it really so hard to grasp that there's more than one group of bad guys involved? If Orwell thought capitalism benign, that final scene would be the happy ending this article's writer claims Serkis imposed on his version. Nobody makes that mistake - everybody knows the outcome is bad - but it seems to be almost impossible to recognize why it's bad. Similarly, the writer of an introduction to a print edition of Animal Farm (I think it was Malcolm Muggeridge) wrote that already in 1946, when the book was first published, "it was becoming brutally clear that wartime hopes of peacetime cooperation between the West and Russia had been dangerously naive." Orwell coined a word for this sort of ideological self-discipline in his later novel Nineteen Eighty-Four: "doublethink."
I learned from the Deseret article that Serkis invented a new human character who seduced Napoleon into embracing sinful luxury; also that [SPOILER ALERT] when Napoleon first stands on his hind legs, "flatulence erupts, amusing the kids and reminding adults how low Serkis will go to get a laugh" according to Variety. Well, kids and not a few adults love fart jokes, so I suppose this is what Serkis meant when he said he'd tried to make the film more "family-friendly."
Deseret quoted "One commenter [who] criticized Hollywood, writing, “Hollywood is incapable of critiquing anything other than capitalism.” Have any of these people ever read Animal Farm? Do they know anything about Orwell and his politics? As I said earlier, he didn't explicitly "critique" capitalism in the story, he took for granted that it was exploitative and generally immoral. I think I can safely skip watching this film.
